Tuesday, September 18, 2012
When I began this in January, this was one of the movies I was most looking forward to. I knew its reputation for being as soul-rending as Bambi, but significantly darker than previous efforts. I also knew that this was the one where all those great new animators I mentioned in the last entry started taking a more involved role in the story and production of the films. Meanwhile, the old guard was really intense about going out on a high note. So basically, when this movie came along, they were straight-up fighting. The older animators, somewhat surprisingly, wanted this movie to more closely follow the book that inspired it, while the new guys wanted to take the story out in new directions. Who was right and who won out? I have no freaking clue. Conflicted? So are they. So get some… Dog food, I guess. And fox food? And let’s talk about The Fox and the Hound.
Tuesday, September 4, 2012
Meet the new boss, same as the old boss. Literally. The ’boss’ from the last several years is still in charge. But there is an unstoppable charge of newness about the place. The people under the boss are very different, though. While most of the lead and supervising animators are the same guys we’ve had, there are some fresh names coming underneath them. Don Bluth and Gary Goldman, who would go on to form their own studio and be Disney’s major competition in the 1980s. John Musker and Ron Clements who would go on to direct Disney’s great successes of the 1990s through to the present. Glen Kean and Andreas Deja, who would make great new advances in character animation. Tim Burton, who… Oh, come on, I don’t have to tell you who that is. While you may not recognize most of these names, you can still see the significance. There’s a big change underway, and while the new guys might be on the lower rungs now, things are still shaking up. Feeling the sweeping winds of change rush o’er yon vista or something? So am I. So get yourself some jambalaya and moonshine and let’s talk about The Rescuers.