Friday, April 26, 2013
When we join our heroes, the acquisition of Pixar is complete, their creative types are now running the show, and Meet the Robinsons has done the very epitome of bland reviews and unremarkable business. The critical response was about the same as mine - a resounding “Meh. It was mostly fine,” and the audiences said about the same. So with John Lasseter in his new role as CCO, it had already been announced that the company was going to be returning to its roots with a big ol’ traditionally animated princess musical extravaganza. The all-CGI experiment had failed. Of course, they also had this one pretty far into production. It already had a troubled history, and was completed in a rush and dumped down with relatively little fanfare, with the company already making ready for the return of the fairy-tale juggernaut. Did the unappreciated project have any merit? Or was this no more than the third child of a bad idea? Well, get yourself another reheated joke about dog food, and let’s talk about Bolt.
Thursday, April 18, 2013
After the modest success and critical massacre of Chicken Little, Disney was probably a bit on edge. I imagine they were looking to pursue a new audience and refresh the old one. I guess… you know what? I’m going to be doing a lot of imagining here, because there’s not much in the way of information on this film’s production, because no one gives a crap about it. Oh, that was mean. Actually, the reason I can’t find much is because while it was in production, Disney bought Pixar for a kazillion dollars, and promptly installed their CCO, John Lasseter, as head of the animation department. Lasseter, upon seeing a preview screening of this film, told them that they needed to make serious changes. In the end, about 60% of the movie was scrapped. And if Kingdom in the Sun has taught us anything, it’s that Disney really likes covering it up when they have to totally revamp a movie late in the game. Anyway, no sense in dwelling on the past. Keep moving forward. So eat your food in pill form, and let’s talk about Meet the Robinsons.
Saturday, April 13, 2013
The year: 2005. The place: I don’t know, probably Anaheim or somewhere. The Walt Disney company had closed the book on traditional animation, declaring computer animation to be the way of the future. That’s what people want, they said, and we shall give it to them. Negotiations with Pixar were hinging on this movie. If it was a hit, Disney could say “We don’t need you, Pixar, be off with you.” If it failed, Pixar could say “You guys suck at this, now give us some more money.” In the end, the film was a modest success. Better than Disney had been doing, but worse than Pixar had. Of course, Disney didn’t have to share the money, so they made more of a profit… In the end, Disney kept making their own CGI films, but bought Pixar outright so they could continue to get a cut of their profit, and Pixar was happy to, because they could stay fully funded and by left alone artistically.
Hm. Artistically, artistically… Oh yes! I almost forgot! I was so distracted by the financial dealings that were this movie’s entire reason for being that I neglected to bring up that this is ONE OF THE WORST DAMN MOVIES I HAVE EVER SEEN IN MY ENTIRE LIFE! It’s incompetent garbage! The animation is so inept and ugly it makes Home on the Range look like Tarzan! The actors are so ill-suited and ill-directed it makes Dinosaur look like Lilo and Stitch! The plot and story are so badly thought out and executed it makes the Aristocats look like Beauty and th - Wait, let’s not go nuts. But it makes it look at least like Oliver and Company or something. Something pretty okay? Anyway, this movie was horrible. I’m annoyed and so are you, so fry up an omelette and let’s yell at Chicken Little.
Friday, April 5, 2013
Urgh. URGH. I have not finished watching this movie yet. In fact, I started, and at a certain point I said “Geez, this is terrible. Well, I must be about half an hour in. I can take a break now.”
I had only been watching for 11 minutes and I could swear I’d gone north of 30. This movie is ugly, badly written, annoying, clichéd, and any other bad thing I can feel like saying about a movie. The fact that even as many as 55% of critics gave it a passing grade is baffling to me. This plunges to depths that can only be described as Aristocatic. Do I have to? Is anyone even going to read this? Despairing? So am I. So grill up an entire cow because they DESERVE IT, and let’s talk about Home On The Range.